Writers can learn a lot from improvisational actors. If you feel you lack for creativity, for example, try an exercise or two from “improv.”

One of the most basic rules of improv is not to deny an “offer.” So when one actor asserts something, the next actor builds on it—never rejects it. In that way, improv is like brainstorming.

A common game in improv is called “yes, and.” Every actor says, “yes” to a statement made by a previous member of the cast, and then adds to it by starting with “and.” For example, an actor says, “Your mother wears army boots.” And another actor says, “Yes, and the boots belonged to my father.” A scene quickly gets started.

The converse of “yes, and” is “yes, but,” which typically stalls creativity. The “but” blocks progression.

When you’re trying to flesh out a message or argument—or trying to break out with a new insight for a chapter ending, closing chapter, or an epilogue—think about the “yes, and” game. Use an “and” to see if you can advance your insights to a new, surprising place.

[Revised January 2020. Originally published May 3, 2012]